I didn't want to build a house, but a habitable work of art – one that protects us uncompromisingly and lets us breathe at the same time.
Organic architecture has fascinated me for decades. On Lanzarote, in the buildings of César Manrique, I felt what happens when a house respects the topography instead of conquering it. It is the same fascination that drove artists like Gaudí or Hundertwasser: the conviction that form may be alive and soulful – no grid, no box.
With the BOGENHAUS I have realised this vision. It follows nature's age-old, indestructible structural principle: the curve. In it, Yin and Yang come together – the soft and the load-bearing, the flowing and the solid – a space in which energy can flow freely in the spirit of Feng Shui.
It is far more than living space. It is a statement, a way of life. Something you don't explain – something you have to experience.